Xavier Montsalvatge - Laberinto, Folia Daliniana, Sortilegis, Sinfonia Mediterranea - OFGC, Leaper (1999) [FLAC] (ASV CD DCA 1060)


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Torrent File Content (26 files)


Montsalvatge, Xavier - Laberinto, Folia Daliniana, Sortilegis, Sinfonia Mediterranea - OFGC, Leaper (1999) [FLAC] (ASV CD DCA 1060)
    Artwork
          Booklet 1.png -
17.18 MB

          Booklet 2.png -
2.6 MB

          Booklet 3.png -
2.59 MB

          Booklet 4.png -
2.49 MB

          Booklet 5.png -
2.47 MB

          Booklet 6.png -
2.57 MB

          Disc.png -
3.5 MB

          Tray.png -
7.32 MB

     01 - Laberinto - I. Por el camino que no conduce a ninguna parte.flac -
28.98 MB

     02 - Laberinto - II. En el encuentro de Theseo y Ariadna.flac -
26.93 MB

     03 - Laberinto - III. Para la exaltacion de Minotauro.flac -
26.37 MB

     04 - Folia Daliniana.flac -
46.25 MB

     05 - Sortilegis.flac -
29.61 MB

     06 - Sinfonia Mediterranea - First movement (Andante sostenuto).flac -
25.25 MB

     07 - Sinfonia Mediterranea - Second movement (Adagio espressivo).flac -
26.02 MB

     08 - Sinfonia Mediterranea - Third movement (Allegretto espressivo).flac -
5.98 MB

     09 - Sinfonia Mediterranea - Fourth movement (Andante vigoroso).flac -
22.32 MB

     Checksum file.md5 -
1.75 KB

     Cover.jpg -
291.28 KB

     EAC.log -
12.33 KB

     File Integrity Verifier Results.txt -
1.32 KB

     foo_dr.txt -
1.82 KB

     Info.txt -
3.43 KB

     Noncompliant.cue -
2.87 KB

     Playlist.m3u -
528 bytes

     Range.cue -
2.28 KB



Description



Music : Classical : Lossless
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XAVIER MONTSALVATGE (1912-2002)
Laberinto
Folia Daliniana • Sortilegis • Sinfonía Mediterránea




Gramophone [8/1999]:
Quote:Apart from his popular Canciones negras, written more than half a century ago, the compositions of the now 87-year-old Montsalvatge have made little impact on the musical public in general: many of his works remain unrecorded – the opera Puss in Boots, the Indian Quartet, the five Invocaciones al Crucificado and the virtuoso Harpsichord Concerto, to name only four. But there are two Montsalvatges – one with a more traditional manner, and a later more trenchant, experimental and individual. From his earlier period comes the Sinfonia Mediterranea, composed three years after the Canciones negras; its lack of fashionable ‘modernity’ tempted him at one time to consider rejecting it completely. I’m glad he didn’t, for it’s an attractive (if slightly overlong), warmly romantic work that includes melodies of a popular cast.
Very different in style and technique is Laberinto of 23 years later, which employs a modified dodecaphonic system (with two tone-rows) and whose three movements were inspired by aspects of the Minotaur legend – the frustrating corridors sans issue of the labyrinth, the personalities of Theseus (rugged, depicted on wind) and Ariadne (soft and melting, on strings), and the Minotaur itself (whose bovine nature leads Montsalvatge initially to adopt the rhythm of the Spanish zapateado).
Sortilegis (‘Enchantments’), 20 years further on again, was written for a conductors’ competition and designed to test both technique and artistic perception: on present evidence the enterprising Adrian Leaper (already at that time with six years with the Halle behind him) could have been an ideal entrant. The remaining, and most recent, work, Folia Daliniana, a sinfonia concertante for four wind instruments who exhibit their prowess one by one in turn, is said to be based on the famous Folies d’Espagne theme; if so, the influence of Dali has left the theme so distorted that I failed to recognize it, even while enjoying the work itself and the virtuosity of its performers. A disc well made by musicians and recording engineers alike, which valuably adds to our knowledge of this doyen of Catalan composers. --Lionel Salter

Laberinto (1971)
1. I. Por el camino que no conduce a ninguna parte (Moderato sostenuto) (8.37)
2. II. En el encuentro de Theseo y Ariadna (Moderato risoluto) (8.06)
3. III. Para la exaltación de Minotauro (Allegro ma non troppo) (6.00)
4. Folia Daliniana (1996)
Sinfonietta for flute, oboe, clarinet, bassoon, string orchestra and percussion (14.49)
5. Sortilegis (1992) (8.01)
Sinfonía Mediterránea (1948)
6. First movement (Andante sostenuto) (7.29)
7. Second movement (Adagio espressivo) (7.19)
8. Third movement (Allegretto espressivo) (2.03)
9. Fourth movement (Andante vigoroso) (6.05)
Total time = 68.52

Johanne Valérie Gélinas, flute
Salvador Mir, oboe
Radovan Cavallin, clarinet
John Potts, bassoon
Andrej Gliszewski, percussion
Orquesta Filarmónica de Gran Canaria
Mikhail Vostokov, leader
Adrian Leaper


Recorded in Auditorio Alfredo Kraus, Las Palmas de Gran Canaria, 1-4 July 1998
Produced by Amanda Murton
Recorded by Martin Atkinson
Made & printed in England
© & ® 1999 ASV Ltd.
CD DCA 1060
www.ofgrancanaria.com
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